The Multilayered Image of Spendiaryan in the Sculptures of Ara Sargsyan and Ghukas Chubaryan

The Multilayered Image of Spendiaryan in the Sculptures of Ara Sargsyan and Ghukas Chubaryan

Authors

  • Nare Nadaryan National University of Architecture and Construction of Armenia

DOI:

https://doi.org/10.54338/18294200-2025.2-09

Keywords:

Alexander Spendiaryan, Ara Sargsyan, Ghukas Chubaryan, sculpture, image analysis, realism, symbolism

Abstract

This article explores the multilayered image of Alexander Spendiaryan in the sculptural interpretations of Ara Sargsyan and Ghukas Chubaryan. It analyzes the artistic approaches, stylistic features, and different methods of portraying the figure. The study highlights the dominance of realistic and psychological precision in Sargsyan’s work, while Chubaryan’s approach emphasizes symbolism and spiritual expression. The article also examines their collaborative monument, which synthesizes both perspectives into a comprehensive representation of Spendiaryan. These findings can serve as a foundation for further studies in art criticism, design, and cultural research.

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Author Biography

Nare Nadaryan, National University of Architecture and Construction of Armenia

PhD in Art history (RA, Yerevan) - NUACA, department of Design, lecturer

Published

2025-09-19

How to Cite

Nadaryan, N. (2025). The Multilayered Image of Spendiaryan in the Sculptures of Ara Sargsyan and Ghukas Chubaryan. Scientific Papers of National University of Architecture and Construction of Armenia, 92(2), 81–88. https://doi.org/10.54338/18294200-2025.2-09

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